2011.1.8 (Sat.) - 2011.3.21 (Mon.)
Photographs by Takashi Homma are known for reflecting dry sentiment of the times and giving us a feeling of distance toward the subject. Dealing with a variety of themes, such as architecture, ocean waves, children seen in Tokyo and suburban scenery, he has serialized many of them over the years. Keeping away from describing narrative or emotion, his neutral viewpoint captures the subject unemotionally, which is suitably called “new documentary” that leans towards neither expression nor record advancing from the age when the two were specifically questioned. While he has kept having “a documentative viewpoint” since the start of his career as a photographer, he has tackled possibilities of the photographic expression by “approaching photography as art.” Recently in particular, his creative activities pursuing more subjective expressions have broadened while openly dealing with the real world and the times. In this exhibition, not only his prints in the past but also his latest works using different methods and media, such as silk screens based on photos, installations to be viewed through binoculars, books full of images as well as paintings are introduced, raising a question of “what photography is.” They lead viewers to think about the meaning of “seeing” through the reality reflected on the photographs. For example, there is Trails in pursuit of the trail of deer hunting in a snow-covered mountain and a painting on the same subject. Tokyo and My Daughter, his lifework for which he continues taking a picture of Tokyo scenery and a girl, and Widows are works that he re-photographed so-called “found photos” discovered in family albums of the protagonists. Thus, he intervenes, going beyond the limits of time, in photographed people’s eyes turned upon their families and friends.
Homma’s new work re-construction is a collection of works made into a book form, in which he re-photographed magazine covers and pages he edited. Others include exhibition leaflets, posters and
their proof sheets, which reveal how lightly he has been working all over media of different kinds. You may say that to re-photograph by his own hands what he photographed is a reviewing act in itself of photography as a medium.
For the display of this exhibition, Kazuyo Sejima + Ryue Nishizawa / SANAA designed a booth in the area connecting exhibition rooms. With its light, graceful space arrangement, Homma’s works are all the more impressive.
2011.1.8 (Sat.) - 2011.3.21 (Mon.)
Fifty years after his first solo exhibition in 1961, contemporary artist Tadaaki Kuwayama continues to challenge established art concepts in his quest for “Pure Art.”
Kuwayama moved to the United States in 1958, after studying Nihonga (Japanese-style painting) at Tokyo National University of Fine Arts and Music. There, he established his own expressive style, employing the materials of Nihonga in paintings that went to extremes to expel meaning and emotion from the picture surface. In the 1970s, his work took on materiality as a result of his selection of neutral colors and inorganic materials. By the 1990s, this work had evolved into spatial constructions employing repetitive panels of artificial mood.
This exhibition features new works giving maximum play to the distinctive architectural spaces of this museum, such as its galleries of varying sizes and proportions, and courtyards. Through
Kuwayama’s Project for 21st Century Museum of Contemporary Art, Kanazawa, we will have opportunity to experience his continually evolving art in its current form.
2010.10.9 (Sat.) - 2011.1.30 (Sun.)
New designs are being generated continuously as the time change. Not only the products but also the designs of the products are being consumed in the lifecycle model of modern consumption which is heavily dependent on trends. D&DEPARTMENT PROJECT focuses on the fact that there are used “long-life designed” products which remain in society and is offering/practicing the recycling model, that is a way to recycle products at the scene of consumption. This recycle model includes the following steps. 1.Selecting the long life designed/second hand products and selling them, 2.repurchasing products from buyers and 3.resselling them to new consumers. Our aim is to present the idea that we can create a new market and avoid the disappearance of designs if there is a system where products can be sold a number of times and used over many years.
In this exhibition, D&DEPARTMENT PROJECT’s course of actions (choosing and purchasing “long life designs” that should be conserved over the years out of the products relinquished by the consumers) is divided into three parts and presented in three terms (exhibitions).
Kenmei Nagaoka’s statement can be seen from here.
Only honest design can be recyclable.
2010.9.11 (Sat.) - 2011.4.10 (Sun.)
An exhibition featuring pieces from the museum collection, which consists primarily of works produced since the 1980s. The Collection Exhibition presents important artworks reflecting the changing values and transitions of contemporary society and, by weaving complex perspectives into their presentation, explores social issues.
2010.4.29 (Thu.) - 2011.3.21 (Mon.)
Contemporary artist TAKAMINE Tadasu has continually cast light on social issues employing his own experiences and body. “TAKAMINE Tadasu: Good House, Nice Body,” is a long-term project composed of two parts, “Good House” and “Nice Body.” For approximately one year, through their own physical involvement, numerous project participants will re-examine the attitudes we hold toward our “house” and “body”—attitudes that grow obtuse in day-to-day life despite the vital importance our house and body have for us as abodes for our existence.